Miesiąc: lipiec 2026

The site specific installation in which Krzysztof Franaszek combines glass with technical, construction, and found materials to create a landscape suspended between the organic and the industrial. Throughout the exhibition, light acts not only as illumination but as a sculptural medium, continuously activating the works and the surrounding space. Together, the sculptures form a coherent environment shaped by the tension between transparency and darkness, nature and construction.

The transparent glass form promises an interior waiting to be revealed. Instead, observation produces only reflections, light, and an elusive emptiness, recalling the quantum concept of decoherence, where multiple possibilities collapse into a single observable state. The work questions whether emptiness is an absence, or merely the limit of what observation allows us to perceive

The title refers to non-manifold geometry in 3D modeling, where a mesh is topologically incorrect. In this work, digital errors and structural distortions become the source of the sculptural form. Through 3D printing, a digital glitch is translated into a physical object whose organic appearance evokes natural forms without representing anything specific.

A sculpture composed of steel and a suspended mass of fused glass. It explores movement, rotation, tension, and balance through the relationship between its structural elements. Premiered at Gallery Pracownia Wschodnia, the title Chii’l comes from the Navajo language and means „something alive.”

An open vessel rests upon an enigmatic skeletal framework that both supports and destabilizes its weight. The fragile structure evokes the remains of an unknown organism or the aftermath of an irreversible event, suspended between collapse and endurance.

3D printed light objects translate historical ornamentation into a contemporary visual language, transforming decorative motifs into luminous sculptural forms.

Ceramic sculptures and vessels reinterpret archaic forms as gestures of remembrance and continuity. The bowls are conceived as sculptural objects that investigate the symbolic dialogue between interior and exterior, transforming functional forms into contemplative structures.

„Kernos” is the title of a ceramic sculpture inspired by an ancient vessel. In 2026, the Phenomena Gallery in Warsaw hosted an exhibition of the same name featuring ceramic sculptures and objects.

Nebula is a series of illuminated sculptural objects produced using 3D printing technology in translucent PETG. Designed to be suspended on a wall, each piece functions simultaneously as a sculpture and a subtle architectural light source, blurring the boundary between autonomous artwork and functional object.

Maw evokes an ambiguous organic form suspended between vessel, shell, and living organism. Its elongated silhouette suggests an opening that is both protective and consuming, inviting contemplation of the fragile boundary between interior and exterior. Balancing archaeological resonance with biomorphic abstraction, the sculpture reflects on transformation, emergence, and the primal forces that shape both natural and imagined worlds.